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Monday, April 28, 2014
Wednesday, April 16, 2014
Ink to Dot
The article Scan this Book! by Kevin Kelly reiterates just how powerful Google is and wants to be. The massive scanning project frighteningly reminds me of A Brave New World. Why do we need one universal library anyway? Is Google trying to monopolize knowledge? It's really a terrifying thought and one I cannot fully comprehend to imagine thousands of underpaid workers scanning thousands of books a day like robots. They may be scanning these books even as I sit here on my comfy couch typing this blog post. I suddenly feel disgusting...
Don't get me wrong, the idea of a universal library is revolutionary. One place where you can find all the knowledge you would ever need. It is a scholars dream come true. But what happens to the books after they are digitized is something that is mind boggling. Once scanned, Digital books consist of links upon links of information and can be tagged by users. These links and tags are what search engines pick up on. Is it possible that there will be so many tags for one book that a search engine will not be able to find it or archive it properly? Maybe all this interconnectedness in digital books is just too much. It's information overload.
Kelly brings up another interesting area in the google book scanning project and that is copyrights. Google already faced copyright infringements for the scanning project, but this digitization of printed books raises interesting questions about copyright laws and what becomes of them once they are scanned.
I recently watched a great documentary on the Google Book Scanning Project. Watch it here.
Wednesday, April 9, 2014
The Resurrection of the Printed Book
Kenneth Goldsmith proclaims in The Artful Accidents of Google Books that "the book is far from dead: it's returning in forms that few could ever have imagined." The Art of Google Books, a Tumblr that collects strange and unusual errors found in the Google Books Archive, is just one of many examples Goldsmith highlights where these technological errors in systems take on new aesthetic forms.
The many examples of projects created on the basis of these errors was really captivating for me. Why are these errors so interesting? Is it because we think technology is never supposed to mess up? Or because we often confide in technology as if it is a more accurate depiction of life than reality itself? These were just a few questions I asked myself when reading Goldsmith's article and looking through the projects he describes.
Goldsmith suggests that the obsession with digital errors comes from the sense that these errors are on record and that they are permanent. For example, at such a massive scale of scans, Google is never going to go back and fix these errors because there are too many of them in Google Books. It would simply be impossible to do so and therefore, the errors will remain there, waiting for someone to find them like a new age scavenger hunt.
I think what is most interesting about these digital errors though is that they only exist the moment when technology and humanity intersect.
The many examples of projects created on the basis of these errors was really captivating for me. Why are these errors so interesting? Is it because we think technology is never supposed to mess up? Or because we often confide in technology as if it is a more accurate depiction of life than reality itself? These were just a few questions I asked myself when reading Goldsmith's article and looking through the projects he describes.
Goldsmith suggests that the obsession with digital errors comes from the sense that these errors are on record and that they are permanent. For example, at such a massive scale of scans, Google is never going to go back and fix these errors because there are too many of them in Google Books. It would simply be impossible to do so and therefore, the errors will remain there, waiting for someone to find them like a new age scavenger hunt.
I think what is most interesting about these digital errors though is that they only exist the moment when technology and humanity intersect.
Must Speak Internet
How can one determine what the language of
the present is? In order to know what exactly is the language of the present,
isn’t only necessary to look at the language of the past? Let’s face it, no one
talks like Shakespeare today. But is this a good or bad thing? Have we
downgraded? I feel as though a major cause of the shift in our use of language
today was the Internet. Is the internet then the root of our degradation of
language?
There
was a point starting in the late 90s when the internet was gaining popularity
that it was the trend to shorten and abbreviate everything. Internet slang was
developed to ease communication, but has it really? I guess it was faster to
type ’ ur’ rather than ‘your.’ But with the fastness and easiness of this new
slang comes consequences. These consequences are the loss of grammatical rule. Although
it is still the trend to shorten words, I think people are beginning to revive
the grammar part of language again. I feel like abbreviations and shortened
words are less seen than when the Internet first began. I will openly admit
that I still use ‘lol’ on a daily basis even when I am not even physically
laughing. Some of this Internet slang that is now inherited in the generations
around it may never go away.
I am speaking about language in relationship
with the internet because that is where I believe language is the most dominant
these days and there is many areas of the internet where this is proven. Just
look at the hashtag phenomenon. People hashtag complete phrases today. The hash symbol was often
used in information technology to highlight a special meaning. Look how the
symbol has evolved. Completely going against what the hash was
originally used for, people now hashtag anything and everything. How can this
function in the organization system that hashtags were intended for? Is there a
limit to how much we can hashtag? Will this system of organization end in a
complete chasm in internet databases?
I believe language is more cultural today
than at any other periods throughout history. In order to truly understand the
language of a specific culture, one must adopt or be conscious of their
cultural surroundings. If you do not keep up with viral videos, memes, images,
news, etc. surrounding social media than you my not understand what people are
talking about. These forces of social media are what give cultural events
importance. Social media is really what drives present day language.
Wednesday, April 2, 2014
How Much is Too Much?
In James Gleick's article "After the Flood," he reflects on real and imagined libraries. Wikipedia is one of these so called imagined libraries. When I think of a traditional print-based library compared to Wikipedia I think of something that is definitive versus something that is infinitive.Wikipedia is a platform which can constantly be updated and changed and added to. Wikipedia has no limits in quantitative terms since now we are able to store anything and everything in the "cloud," but a traditional printed encyclopedia has a certain amount of pages, a definitive beginning and end. Although the two platforms are similar in regards to the quality of what constitutes an entry, traditional library is a resource for printed archival information which has been carefully selected by experts as opposed to wikipedia which is a place for shared knowledge with contributors from all walks of life. Not only are people taking in knowledge on Wikipedia, but participating in the creation of it as well. Another thing that sets Wikipedia apart from traditional printed archives is the entries that exist. Wikipedia includes entries just about anything where as traditional encyclopedias, for instance, are more selective in terms of entries. I feel like Wikipedia is geared more towards the "everyman" so to speak where traditional archives are geared more towards people in the realm of academia.
Wednesday, March 19, 2014
The Great Shift
Shift:
verb (used with object)
1. to put (something) aside and replace it by another or others; change or exchange: to shift friends; to shift ideas.
2. to transfer from one place, position, person, etc., to another: to shift the blame onto someone else.
3. Automotive. to change (gears) from one ratio or arrangement to another.
4. Linguistics . to change in a systematic way, especially phonetically.
/////////////////////////////////////////////////////////////////////////////
This word, for me, is significant in order to comprehend what exactly is
happening in the “digital age” that we are in. A shift of property, a shift of
information, a shift of interfaces, a shift of roles and a shift in
relationships. These great shifts are the basis for what Sean Dockray argues in
Interface, Access, Loss from the book Undoing Property. Dockray first
mentions the notion of “the cloud.” An existential entity that holds all of our
“stuff.” Sounds so mystical when you say it, THE CLOUD…. It’s forever infinite, hovering above us?
(yeah, right). Quite contrary. In reality, it’s like a factory. A factory of
servers and wires. This is one shift that Dockray talks about. The shift from
the modern industrial factory to this factory in the clouds, so to speak.
What goes hand in hand with this shift is the shift in property. Our
“stuff” is no longer physical, but metaphysical. The stuff we own in this cloud
is not even technically ours. This brings up questions and concerns with the
notion of ownership. As Dockray states, “What
is less recognized—because it is still very much in process—is the subsequent
undoing of property, of both the individual and common kind. What follows is a
story of “the cloud,” the post-dot-com bubble techno super-entity, which sucks
up property, labor, and free time.”
Another
interesting thing that Dockray brings up is the shift of relationships in the
digital realm. There is a shift of how we interact with the “thing,” how others
interact with us through it, and of course how we interact with the world. As
Dockray puts it, things have been reduced in a sense to inputs and outputs. Our
roles as users has changed drastically.
“Is
this a conceptual reduction of the richness and complexity of reality? Yes, but
only partially. It is also a real description of how people, institutions,
software, and things are being brought into relationship with one another according to the demands of networked computation (not
to mention the often contradictory demands of business, government, or
collective desire); and the expanding field of objects encompasses exactly
those entities integrated into such a network.”
Wednesday, March 12, 2014
Antisocial Media
The container concept “social
media,” describing a fuzzy collection of websites like Facebook, Digg, YouTube,
Twitter, and Wikipedia, is not a nostalgic project aimed at reviving the once
dangerous potential of “the social,” like an angry mob that demands the end of
economic inequality. Instead, the social—to remain inside Baudrillard’s
vocabulary—is reanimated as a simulacrum of its own ability to create
meaningful and lasting social relations.
I found the above excerpt
from the article What Is the Social in Social Media? by Geert Lovink to be very interesting with the way social media is
perceived as a simulacrum. In its simplest form, a simulacrum is a
representation of something else, a copy of the real. This got me thinking. Is
social media, then, a representation of real life? Or are we as a society
trying to make social media simulate life so that is more comprehendible for
us? I suppose the word social has a different meaning when it is combined with
the word media. Social media has a new set of structures different then the
structures we associate with the term social in real life. Social media changes
relationships, roles and class structures in society. It is hard to comprehend
a new definition for social than the one we already know. So, what does this
mean for future generations?
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